Theatre of War

This piece is a unique exploration of the idea of who is the audience, and who is the performance for? The concept of cutting elements from a two dimensional set of four prints which pan downwards into the depths of hell, to a three dimensional theatre set, produces different questions, differing perspectives and raises, as all live performances do, dialogues between performer and viewer. Nothing is static, just as the topics raised here, are not. But overarching all is the frightening theme of Big Brother looming over us, pulling strings and wielding power and control which seem to be taken out of our hands. However, an audience/viewer are not passive: they can, and must, react.